Cinephilia C/o Kancharapalem: A collage of broken dreams made whole by a gripping tale Life is a series of accidents stitched together by an observer’s memories. And what better example of this could be made available than maverick auteur Maha Venkatesh’s C/o Kancharapalem. The cinema cements the suggestion that we are a product of accidents, which we carelessly call experience. Understated
Cinephilia Namak Haram: An Impression Rajesh Khanna knew the pulse of the people but forgot that it was auteurs like Mukherjee that created them. After Namak Haram, Khanna and Bachchan never acted together again
Cinephilia Featured Late Review: Sarpatta Paramparai Agreed it is no Raging Bull or the marvellous Daniel Day-Lewis’ The Boxer, yet there is a certain studied panache to the way Pa Ranjith goes about Sarpatta. Though it peddles in clichés, it is the best sports movie ever made in India
Cinephilia Ace in the Hole: Billy Wilder's Personal Disaster Sensationalism and disregard for victims' privacy has come to define the very existence of media coverage. However, can we say with conviction that we crave only for hard news to keep ourselves informed?
Cinephilia The Forgotten Classic That Took The World By Storm It was in protest of this partisan selection that French bureaucrats and ministers decided to start their own festival. Cannes was selected as the venue and September 1, 1939 was set as the date of inauguration. However, on that very day Nazi Germany invaded Poland to start the Second World War.
Cinephilia The Best Movie on Extraterrestrials Was Nearly an Indian's Oeuvre Columbia Pictures was deeply interested in the script, and is believed to have even roped in actors like Peter Sellers, Marlon Brando and Steven McQueen. In 1968, Peter Sellers backed out citing a lack of a meaty role; Brando and McQueen followed suit.
Cinephilia Featured Jallikattu, an interpretation Man by nature is an animal. Despite the forcible conversion to a relatively peaceful mode of existence, man's propensity to violence manifests in myriad ways, sometimes nuanced, sometimes blunt. It's this bluntness of character that Liju Jose Pellissery carves out from beneath the veneer of sophistication we pass off as
